On being appointed to the role, Feinberg developed an eight point plan, which included the drawing up of a formula to determine how much money each individual victim was entitled to, taking into account factors such as income and likely future earnings.
#Aftermath movie true story pro#
It's also true that Feinberg insisted he took on the role for free, agreeing to work pro bono for 33 months. Senator Ted Kennedy who was appointed as the Special Master of the September 11th Victim Compensation Fund by Attorney General John Ashcroft, despite his Democrat political leanings. He wasn't perfect at it, but it was his flaws that made his evolution that much richer."Īs is shown in the film, Feinberg was a respected attorney and former chief of staff for U.S. He came in with a pragmatic, legalistic approach to something that was still very raw. Ken Feinberg was someone who perhaps, prior to 9/11, never really dealt firsthand with the flesh-and-blood victims of the large court cases that he'd been involved in. "I sought to write a story of people trying to grieve, move on, and heal while admitting to and living in their flaws.
The special form of grief and pain - the complex emotions that each case brought up, and the dilemmas it raised for Ken - are all true. This was a deliberate choice on our part to protect people's privacy.
He added, "The victims depicted, however - with the exception of Charles Wolf - are composites from several stories that Ken has outlined in his book or told over the years. Writing in the press notes for the film, Borenstein explained: "Like many, I was aware of the Victim Compensation Fund as it was unfolding, but that corner of the 9/11 story wasn’t one I knew much about until I started digging into Ken’s book, which I found wonderful, insofar as it related these stories of the victims and the specificity and the complexity of each of their cases." The screenplay for the film was written by Max Borenstein, adapted from Weinberg's own memoir What Is Life Worth?, and while it appears the script sticks fairly closely to the truth, the individual victims that appear in the film are composites – in other words, they are based on a range of people rather than specific individuals. By entering your details, you are agreeing to our terms and conditions and privacy policy.
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